Carmin Karasic |
1999
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carmin@pixelyze.com
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The Lost Ones |
"For the passion to search is such that no place may be left unsearched."The Lost Ones installation explores compulsive searching and routine as human nature. Children develop routines and ask, "Why?" We tend to seek and/or find meaning in our lives and the world around us. We follow passion, step-by-step moving closer to our goal; seeking self-improvement, spiritual clues, self-expression, self-discovery... |
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This immersive installation and VRML work is based on Samuel Beckett's hellish short story by the same name. The Lost Ones are ruled by simple rhythmic patterns to the point of absurdity. Beckett repeats the story 3 times, each time adding a little more detail. His sparse settings are echoed through 3 concentric interpretations expanding outward from a virtual reality world on a monitor at the center of the installation; surrounded by a Lost Ones model in realspace, and enclosed in a walk-in cylinder walled with imagery from the central cyberspace scene and shadows of the realspace model. One becomes yet another Lost One within the cylinder. | |
Quoting the book cover:
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200 blue figures create a teeming precinct, positioned to represent the Lost Ones always searching, continuously revolving around the center of the cylinder. Soft music is mixed with voices from all over the world, whispering phrases inspired by Beckett’s text, including, "No place may be left unsearched". The model includes tattered "ladders of varying lengths, with half the rungs missing, without regard to harmony". In the story, the ladders lead to chambers of various sizes, arranged randomly in the top half of the cylinder wall. The model echoes the VRML world on the monitor screen in the center, where 'searching' blue figures and ladders are displayed continuously. | |
Inspiration and Concept
Development: Ricardo Dominguez and Diane Ludin
Installation Credit:
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Additional assistance:
Remo Campopiano, Christine MacDonald, Robert Kieronski, Attleboro Museum
staff
Additional Support:
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